Hey what’s good fam, back with a creative workflow tutorial for you in regards to using timestretch with your samples in Maschine. Had some questions about using multiple samples of varying tempos with the timestretch feature, and wanted to make a quick video for it. This is something that can open up new creativity and […]
timestretch
Maschine 1.8 – Accessing timestretch options directly from the Mikro controller
So since the Maschine 1.8 update I’ve been getting a lot of questions on navigation of the new features directly from the hardware of the Maschine Mikro. Since timestretch is one of the biggest new features, I made a public tutorial on how to pull it up from the controller Of course I have more […]
Maschine 1.8 Tip – Timestretching and Pitch Shifting tutorial
Maschine 1.8 software update is out, go download it from service center! Here’s a public tutorial I posted on using timestretch and pitchshifting in the new update
Internal timestretch in Maschine with Kontakt 5 Timemachine Pro
Yo what’s good MT Fam Just wanted to show a tutorial on a great way to utilize the new Timemachine Pro inside of Kontakt 5, directly in Maschine It’s similar to our previous realtime timestretching video with a few enhancements, and better results thanks to Timemachine Pro Check it out, I think this is an […]
Timestretching and pitch shifting with Geist in Maschine
Since Geist has been out and Maschine started supporting plugins, many have asked me about their integration. There are some dope features in Geist, specifically the FX, timestretching, and layering. Getting past using Geist as a sequencer, it’s actually a really good option for timestretching, one of the best in my opinion. In this tutorial […]
Using free virtual turntables to sample into maschine
This is part two from the video I did on using Traktor Pro as a virtual turntable to sample into Maschine I promised to follow up with a free version for those that don’t own Traktor, and I found some good ones. I’m sure Traktor stands on it’s own for performance and djs, but for […]
