Here’s a quick video showing the Maschine 2.1 update MIDI batch setting for drag and drop into Studio One 2 Again, in 2.0 the way MIDI drag and drop worked was changed, it as a pain to setup, but now it’s back to normal, so it’s quick and simple to drag your MIDI into daw. […]
studio one 2
Maschine 2.0 recording MIDI into Studio One 2 in real-time
Hey Fam! This tutorial is for those using Maschine 2.0 with Studio One 2 and you want to record your MIDI in real-time. As you know, the MIDI setup within a DAW was changed drastically in 2.0 and it messed up the workflow for a lot of people due to not being able to route […]
Maschine 2.0 in Studio One 2 drag MIDI and quick bounce to audio without routing outputs
Hey what’s good fam! Here’s another tutorial for those using Maschine 2.0 with Studio One. There are many ways to work with Maschine in a DAW, this one will allow you to get a basic idea scratched out in Maschine, drag the MIDI into S1 for arranging, and then quickly bounce that MIDI to audio […]
Maschine 2.0 drag and drop audio into Studio One 2
Here’s a quick video for the Presonus Studio One 2 users, on how to drag and drop audio from Maschine 2.0 into the DAW. Also, gives a quick idea of why this can be very beneficial to your workflow, especially if you prefer linear arranging of your song. Being able to do this makes Maschine […]
Maschine tracking out live audio into Studio One 2.5
Presonus just released the update for Studio One 2.5 so I did a quick video for the update showing how to track audio live from Maschine into Studio One 2.5 This lets you capture your audio performances, or simply capture your tracks in realtime yet still capture separate audio tracks
Sampling into Maschine while in Studio One v2
Hey what’s good fam, hope all is well with ya. I’ve gotten some questions about sampling into Maschine when using it in your DAW that I wanted to address. Now of course each DAW will be different depending on how it handles instruments and audio routing. Setting this up in Reaper is different from Cubase […]
