Hey what’s good fam! This is a follow up to the video I did on how to setup Razor as a Vocoder in Maschine 2. This one is showing how to setup a similar configuration using The Mouth. Again, in Maschine 2 the routing is much easier thanks to having the input option directly on […]
Maschine 2.0 Tutorials
Tutorial videos covering the features and functionality of the Maschine platform starting with version 2.0
How to sync and record MIDI from Arturia BeatStep into Maschine
Hey what’s good fam! Hope all is well! I was playing around last night with the BeatStep and from Arturia and thought I’d share how I use it with Maschine. It’s a really simple setup but can be a fun way to come up with new and creative sequences for your sounds given the different […]
Using Maschine 2 as an FX plugin in Ableton Live 9
Hey what’s good MT Fam? Got another question about using Maschine 2 in Ableton, specifically how to use it as an FX plugin on a track in Ableton. In this tutorial I show you how to set it up as needed, it’s pretty quick to do there are just a few things you need to […]
How to setup Razor as a vocoder in Maschine 2
Hey what’s good fam! Got a question on how to use Razor as a vocoder inside of Maschine 2. It’s actually a little bit easier to setup in Maschine 2 thanks to the way routing is setup on each pad. You can do this from the mixer or directly in the channel section on the […]
Maschine 2 recording keyboard mode MIDI into Ableton Live 9
Hey what’s good fam? This is a follow-up video to the one I did on recording MIDI in realtime from Maschine 2 into Ableton Live 9 I received some questions in regards to how to set this up for recording keyboard mode. So if you’re playing an instrument from the pads and you want to […]
How to automate your fx on and off with patterns using aux routing
Hey what’s good fam! This is a follow up to the tutorial I did on automating your fx on and off with patterns. I got some questions about using different types of fx that were a bit more character driven in that anytime you put them on a sound it changes it drastically. There’s still […]
