This is a follow up to the free maschine tutorial I did showing how to use UVI Workstation with Maschine to gain access to your MOTU BPM or other UVI library sounds. This allows much more flexibility than just opening BPM directly in Maschine, and since all the UVI libraries are encrypted in their native […]
Creating independent patterns when duplicating scenes
Before the 1.6 update, we were not able to create independent patterns when duplicating scenes. This made on the fly song creation a little bit more of a pain than it needed to be. Luckily NI listened and we can now do this. this tutorial shows how pattern duplication works in regards to duplicating and […]
Understanding and using the various pattern length settings
This may be a little more esoteric for many folks, in this tutorial I show what the different pattern lengths do, how to understand them, and where you may want to use them. I know most folks work in 1 bar pattern lenghts (the unit of the pattern) and just make patterns that vary from […]
Understanding the different scene playback, sync, and trigger settings
In this tutorial I show you the different options available for triggering your scenes. Specifically, how the scene sync settings work and what retrigger means. I go a little bit into the midi settings for the scenes as well, which gives you an idea of how you can use this to layout your performance in […]
Setting up your own custom multi fx
Maschine is pretty open when it comes to routing, and I find the best way to understand how a system works is to build something using the components of that system. So the best way to really get an understanding of Maschine and it’s fx is to build your own fx, routings, and multi fx! […]
Setting up parallel compression in Maschine using aux routing
There were questions on some tips and tricks for how to get your drums to bang or sound fatter in Maschine. One way of course is to use a compressor, another classic trick is parallel compression (sometimes called new york compression) when you mix the dry signal with the compressed signal of the track that […]
