Had a question of how to make your own gate/stutter effect in Maschine without using external plugins This tutorial shows you how to automate Maschine’s internal gate effect to get that rhythmic/sequenced gate sound on your pads and leads, or whatever else you want Of course there are many more flexible fx and plugins out […]
Maschine sequencing external synths: Dave Smith Mopho
Yo what’s good MT Fam! In this tutorial I just wanted to share the workflow and process I use when sequencing external synths with Maschine. I really dig sync sampling and Maschine actually made me want to get back into hardware synths just because of how easy it is to use them with Maschine. I […]
Maschine Skill Builder: MT Factory Workout #3
What’s good MT Fam! You know what time it is! Time for another factory workout You know the concept here Your assignment is to work with ONLY the sounds in the provided project file, and see what you can come up with. You don’t have to use everything in the project, I pick out a […]
Maschine in Cubase part 2 – midi routing and sequencing
Yo what’s good MT fam! This is part 2 in the maschine in cubase series, this one shows how to setup the proper midi routing so that you can sequence it in Cubase properly Not all DAWs allow you to route the way you need to in order to record midi directly into the DAW, […]
Using auto chop to slice and apply samples to pads with Maschine Mikro
Had a request for a tutorial on how to use slice mode and apply samples to pads and groups with the Mikro Maschine It’s a little different than the big Maschine but still the same concept, you just do not have all the controls that you do with more knobs It works sorta like Maschine […]
Understanding and working with different time signatures
What’s good MT Family! So this tutorial is about time signatures in Maschine. Most of the time in urban, dance, pop, and electronic music, we use 4/4 But there are some other time signatures that you may want to explore to give your music a natural shuffle or groove. Anyone that has played in the […]
